A s many of you who prefer listening to a reading have probably noticed, the narrator can make or break a book. The narrator for my first books was the award-winning former actor Rosalyn Landor. She made my characters come alive so well that I was pleased and proud of her work. The same cannot be said for Royal Mistress! Despite my agent's insistence that the contract with Audible included hiring Roz Landor again, they ignored her and me and the result was not as pleasing IMHO. When it came to This Son of York 's publishing process, as many of you know, I was on my own; like so many of my fellow writers subject to the vagaries of traditional publishers, I was left out to dry. The result was contracting with Bellastoria Press , a small independent publisher, who did a beautiful job on creating and distributing the print and ebook versions, albeit leaving me alone to do marketing. But when it came to an audiobook, my husband and I thought long and hard as to whether to invest